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mbskels

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Posts posted by mbskels

  1. Hi,

    Returning to P2Exe after several years. I am planning a project with voice-over which I have never done before so thought I would revue suitable microphones. Due to hand problems I also plan to use voice recognition software with the same microphone so have excluded recorders such as Zoom.

    After a few days research I feel I am going round in circles and would appreciate some help.

    I have concluded that a USB microphone is the best choice as it by-passes the sound card. Is that correct?

    I have considerable background traffic noise in the room I plan to record in and wonder if I could suppress the background noise better with a Lavalier rather than say a cardioid microphone. Have no experience of either so welcome any comments.

    I have listened to the Logitech H360 recording made available by Yachtsman1 in 2014 but think the background noise in my situation would be intrusive. Has hand-set technology moved on at all in the intervening years?

    My budget is £50-£70.

    Appreciate any advice or if subject already covered elsewhere a pointer to the post.

    TIA

     

  2. I am curious to know what tools people are using and are happy with to sharpen an image? Or are you all happy with Photoshops unsharpen, high pass, low pass, and so on tools?

    John

    I have used 'The Light's Right' Professional Sharpening Toolkit which is currently a set of PS Scripts for several years. I find them by far the most flexible sharpening procedures around. The toolkit comes with comprehensive manual and series of examples in the use of the scripts.

    Particular advantages are that the sharpening is applied in separate stages (after capture and prior to print) - with an additional option (creative sharpening) where local sharpening is required. The sharpening is also layer based and can therefore be stored with the image and tweaked at a later date.

    The scripts can be used in automatic mode (click and go) or advanced mode which enables a high degree of control over the level/type of sharpening applied.

    Thoroughly recommend them. They are made available free of charge but a donation is requested if you find them useful.

    They are at http://www.thelightsright.com/view/PhotoshopTools?page=2

    Malcolm

  3. ====================

    Igor...Yes, I seem to be the 'lucky' one with unusual problems... But thanks for the reply.

    1) Not quite. I can do a Create only once where the resulting Exe will work. If I redo the Create a second time with the same filename, I get the error message. I cannot run or delete this file until I reboot. Then the file will run and I can delete it. If I get the error message when I do a Create with the original filename, I can change the filename and Create will then work and this file will play and can be deleted. However, if I do the Create on this newly named file a second time, it too will not run and can not be deleted until I reboot. It is as if the file has not been released by Windows.

    Gary

    Surely your investigation confirms that a lock is being left on the executable after it is first created. Further attempts to recreate the executable fail because the original file cannot be deleted because it is locked. There is a utility available to identify who is causing the lock at http://www.dr-hoiby.com/WhoLockMe/

    Perhaps that may be useful in confirming the cause.

    Windows task manager also can be set up to identify if a program has used a large amount of RAM retrospectively. You need to add an extra column to the default settings by opening the task manager and under view>select columns tick the column "peak memory usage". This column records the peak usage for each program. You could use this to examine usage after you have successfully created the executable for the first time.

    HTH

    Malcolm

  4. Hi,

    We thank in advance those who go to the trouble of downloading this and would very much welcome your views and constructive criticisms.

    John

    John

    Thoroughly enjoyed the av and found the commentary informative and very professionally incorporated - not something that is easily achieved. As some else said - very relaxed.

    I think the av is so long it would benefit from being split down into sections and driven from a start-up menu. This would allow viewers to stop and pick up again from where they left off. Similarly there are sections that I know some of my friends would be particularly interested in and a front end menu would enable me to show them that section alone.

    Malcolm

  5. @mbskels

    This is a discussion on the topic of incorporating colour management into PTE version 5:

    http://www.picturestoexe.com/forums/index....ic=4438&hl=

    Mike

    Mike,

    Many thanks for the link. I must have missed that discussion and clearly I have some way to go in learning how to use the forum search facility!

    Personally I have no problem with PTE ignoring embedded profiles if there is a downside (delay in processing image) as described by admin1. My concern was purely to understand what PTE did with tagged/untagged images so that I could be sure I was using an optimal workflow.

    I work in aRGB from camera to print as I work with artists - as you can imagine they are somewhat picky about colours and of course have the original to compare the prints with!

    I have no problem in converting to sRGB for display in PTE as I do this routinely for output to the web. I believe PS SFW facility has had the option to convert to sRGB since about PS6 but it was not set as the default. You had to set that option (tick box) when using the SFW process. CS4 SFW default is to convert to sRGB and strip the profile. Presumably that change in default settings reflects the increasing adoption of sRGB for browser/monitor display.

    While full colour management in PTE would be a "nice to have" feature perhaps not if it has a significant adverse effect on image processing performance.

    I am grateful to you/admin1 for clarifying this issue for me and I will amend my PTE workflow accordingly.

    Malcolm

  6. @mbskels

    It has been stated many times (and by Igor himself) that PTE is NOT colour aware/managed.

    Mike

    Mike

    I was not aware that the software developers had ever made comment on how PTE handles tagged/untagged images. I am aware that the question was specifically raised on this forum a few months back but no answer was given.

    I would be grateful if you could supply a link to any statement from the software development team on this subject. I have just tried the forum search facility with no luck.

    Thanks

    Malcolm

  7. As I said in a previous post surely it is now long overdue for a definitive statement by the software team on how PTE handles untagged images and images with embedded profiles before any more confusion is created?

    Well I guess the answer to my request is - No.

    So we can continue to have fun chasing shadows.

    Paul,

    I don't know what I'm doing wrong but I can definitely say that I must have been doing it consistently wrong since PS6, PS7, CS, CS2, CS3 and now CS4.

    DaveG

    DaveG - I believe (do not have it myself) that the default options in SFW in CS4 are radically different from previous versions. If you have not changed the defaults SFW in CS4 automatically converts to sRGB and strips any embedded profile. Previous versions did not convert to sRGB by default - you had to tick the box "convert to sRGB" if you wanted that to happen.

    Your workflow as described (convert to sRGB and strip profile) is adopted by web designers because many browsers apply a default monitor profile (usually sRGB) to untagged images. I suspect PTE may also do so although without further info it is almost impossible to determine. Whether there is a difference between v4 and v5 also - who knows? Only the developers.

  8. I find though that if I follow your step no2 and convert the rgb back to srgb before using the save for web feature of photoshop then the resulting saved jpg when displayed in PTE shows a colour shift.

    I find though that using the save for web feature on the rgb file direct although the resulting saved jpg exhibits a colour shift, when displayed in PTe it shows no colour shift at all, and looks the same as the rgb did in CS3.

    As I said in a previous post surely it is now long overdue for a definitive statement by the software team on how PTE handles untagged images and images with embedded profiles before any more confusion is created?

    This issue crops up repeatedly on the forum and is followed by all sorts of misinformed statements regarding colour management in PS, PTE, printing, and web which can only serve to confuse.

    Surely it is time to clear up this issue?

    NB: to discuss the save for the web facility in PS it is necessary to define the PS version being used and the options selected in the process. They radically alter the output in terms of colour management.

  9. Hi

    So my conclusion is this, if I process an image in photoshop in the prophotoRGB colour space until I am happy with it, then use the save for web feature, save the image, although the colours have altered, if I then use this new saved image (altered colours) in PTE, it displays in PTE as the original did in photoshop.

    Is this how it should be, or have I not grasped something?

    Unfortunately it is not possible to discuss your issue properly until we know for definite if PTE strips/ignores embedded profiles as JRR asserts.

  10. Paul:

    PTE is not colour managed ....

    The issue raised by OP has been raised several times before with much the same outcome - several replies regarding colour management that tend to cloud the issue rather than clarify it.

    Perhaps it is time to have a definitive statement from the software creators regarding this issue. Is JRR correct in his assertion that PTE is not colour managed ie embedded profiles in images in PTE slideshows are disregarded when the final exe file is displayed?

  11. Hi Peter

    When I first started using PTE I saved my images at 300dpi, and experienced moire in some instances, when panning over water and brickwork etc. I tried reducing to 150 dpi and the moire reduced to the extent that it was acceptable, hence the statement, similar to images over 1mb.???

    Yachtsman1

    My understanding is that the dpi (ppi) setting is contained within the metadata section of an image file in a similar way to aperture, shutter speed, date etc. The image data would be unaffected by any change in dpi (ppi) setting.

    If your observation is correct then it would have significant implications. Perhaps someone with a more detailed knowledge of how animations are created at the code level could comment.

    Malcolm

  12. I have used PTE for several years but only got round to looking at O&A recently.

    I am trying to produce a realistic effect to show an object "growing" from a point vertically on the Y-axis - for example a tree growing from zero to full size as in time lapse photography. I have tried various combinations of pan/zoom/opacity but cannot achieve a realistic result.

    I have added the object as a png to the main slide and positioned it at its final position at 100% zoom and at 5s on the timeline. I then took the x,y co-ordinates at the point at the centre of the base of the object, copied the keypoint and moved it along the time line to its start position at 2s. I set the zoom x,y to zero on this keypoint.

    The end effect using this technique is not what I am looking for. At best the object appears to lift up through the z axis until it is full size rather than "growing" vertically on the y-axis. I have also tried disconnecting the x,y zoom parameters but with no success.

    I would appreciate if someone could advise if there is a better technique to achieve this effect.

    TIA

    Malcolm

  13. Totally agree Peter, but I think that the complications arising out of building transitions on objects into the programme is not / are not warranted for something which can be done via PS. I see what you mean though, about combining opacity with transition.

    DaveG

    Can I also add my support for this proposal.

    The ability to add transitions to objects (if technically possible) would greatly improve on the PS method currently available and described above. The PS method can create major timing problems where the "object" that is being revealed in the transition is small in relation to the size of the full slide. The transition effect (eg from left) appears to do nothing until it works it way across the slide to where the object is located. This introduces a delay before the transition is seen. It becomes very difficult to minimise the delay without then making the transition effect on the "object" appear too quickly.

    The ability to apply a transition effect directly to an object would resolve this problem. The facility to add opacity change into the transition would also be significant.

    Malcolm

  14. This image was created on a monitor of 1680 x 1050 x 96

    I am keen to learn how it displays on other monitors, e.g. are there any borders showing around the image?

    Hi Ron,

    The size of the margin displayed round the image will depend on the browser being used to view the image and the default browser settings. It will therefore vary from user to user. Or have I misinterpreted your question?

    Malcolm

  15. If anyone really wants to protect their PTE sequence images from being pirated they should create them at the largest possible dpi.

    Anyone reading this who finds it hard to believe, just play around doing image resizing in Photoshop and study the results.

    Without wishing to reopen the image size discussion (please!!) I think it needs to be noted that this approach will not afford any protection to those producing PTE sequences.

    As you have stated earlier in your response the only relevant issue is the pixel size of the image. The dpi (or ppi for the purists!) is simply a tag applied to the image (metadata) and can be easily changed with a variety of software products. The maximum print size without visible pixelation is determined by the number of pixels in the image - the larger the image size in pixels the larger the print size that is possible.

    malcolm

  16. I create a new adjustment layer for channels to convert to mono (100% on the red channel), and then create another adjustment layer for Hue and Saturation (hue 45 saturation 20)

    Then crop to 1024x768 and apply the noise filter

    Interesting approach. Not used that method for toning before - must give it a try. The applied noise gives them a real darkroom feel.

  17. Really enjoyed viewing your show. Images are superb with very thoughtful use of the light. Would be interested to know if they are digitally "toned" or perhaps scans of darkroom prints?

    Also thought the av presentation was excellent - refreshingly simple. Less is certainly more in this case.

    Malcolm

  18. So you are thinking of a teensy little .pte player?

    It wouldn't have have slideshow making capability, but would contain a "plug" for PTE?

    Interesting

    jk

    Hi Judy

    I think the inclusion of this proposal would open up a range of possibilities including - as you suggest - an image viewer.

    I could see the DOM selling some of his creations, for example, as a stand-alone image viewer.

    Although of course there are a large number of image viewers already available I cannot recall seeing any with the

    imagination of some of the DOM templates. With the P2E engine the quality of display and transition would be guaranteed

    and I imagine attractive to many photographers etc.

    The opportunity to call the P2E executable from within an application and have the last slide (mouse click event or as previously suggested on mouse hover) return control to the application opens up another - possibly endless - list of opportunities.

    As I said before not sure if the proposal is even feasible but perhaps if there is sufficient interest ...

    Malcolm

  19. You can do this now. Just send the end user the PTE project file, with instructions on how to rename his or her own images, and instructions on how to purchase PTE. This would not only open up other uses for PTE, but increase the benefits to WnSoft as well. ;)

    Hi Al

    Appreciate that is possible however the end-user would have to purchase the product, download it, enter the key (how many have problems with that!), and then learn how to use PTE to a certain extent before they can even run the slideshow. None of that is viable for the type of end use I have in mind.

    WnSoft would still get benefits from the proposed change (albeit it not a licence fee) as it would spread the word about the program (slideshow produced with PTE at the end as a credit for example). If the licence fee was an issue then perhaps a separate commercial licence (more than the current one) would be an option for those that wanted to use PTE as a graphics viewer in the manner proposed?

  20. In all P2Exe versions the images used in the slide-show are incorporated into the exe file during the "create slideshow" process. Although this has many benefits it means that the images used in the slide-show must be supplied by the creator of the slide-show.

    Could a project option be included which when set allows the executable to read in the images at run-time? The images would have to be located in the same folder as the executable and would have to conform to a naming sequence (eg image1, image2, image3 etc) defined by the slide-show creator when the excecutable was built.

    No idea if this would be possible/easy/difficult but if it was included in a future version (obviously only as an option) it would enable slide-show designers to create executables that could display end-users images. The end-user would have to rename their images to fit the naming sequence used by the slide-show designer but there are many software utilities that would make this renaming process easy for the end-user.

    I believe this option would open up other uses for the P2Exe product and commercial opportunities for slide-show designers.

  21. Malcolm,

    I suppose you had in view problem with adjusted desktop gamma on ATI cards under Windows XP? Yes, we can also use windowed fullscreen mode under XP, but Pan effect will not look so ideally smooth as in true exclusive fullscreen mode.

    Yes it was. Thanks

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